Tag Archives: Kaela Sinclair

SBTS – Children by The Henry Millers

Children by New York duo The Henry Millers is the first single for their upcoming  album Posies. 

Bandleader and songwriter John MacCallum writes on IndieVerse, explaining the inspiration and history behind this song.




As I was getting ready to write this I found myself reading a few other of the musician written articles on IndieVerse. I came across one such article by Kaela Sinclair and I wanted to say first and foremost how struck I was by the essay in general, but more specifically how much I related to one point in particular that she made:

“The need to create permanent and complex art can be satiated with much more ease without the stresses of a budget and timeline.”

I have found that my own desire to make music stems from a need to solve or even simply cope with a problem. Even if it is a story told in the 3rd person, the music we make always has a piece of us inside of it. It has in a way always been a source of therapy and because of that I have always wanted to make music that I personally want to listen to; music that I will enjoy and more importantly music that will help me get through the day. I don’t know what I would do if the only way I could create recorded music was based around somebody else’s ‘budget and timeline.’

It’s unfathomable. Its… without fathom.


Our songs always begin with a home recording. “Children” actually began as a song called “Taxi Ride” and was one of the first songs I had recorded. I was going to school in Charleston, SC and at one point when I was back in New York, visiting home, I had an encounter with a seemingly wise old man who was driving me in his taxi. He enlightened me to the hardships of being the caretaker for a family and how difficult the task of raising children can be, especially in a big city. This rather innocuous interaction really stuck with me and eventually led me to write and record a song called Taxi Ride.

As we were finishing up Daisies and I was beginning to write and record songs that would eventually become Posies, I spent time listening to old demos to see if there could be anything to use for new music. The only song that moved me in any significant way was Taxi Ride. I felt a connection to the words and the music that was just as strong as when it had been originally recorded years earlier.

I proceeded to make a new demo at home using the techniques I have learned over the years and that in conjunction with working with Max Drummey and Dan Stringer as producers is what eventually created the version of “Children” you hear now.

-John MacCallum, The Henry Millers


New Release – Sun & Mirror (album) by Kaela Sinclair

Sun & Mirror – the debut LP from indie pop artist Kaela Sinclair will be released on the 8th of October


Truly a magnificent production, Sun & Mirror takes you on a journey through time and space.


By the end of the hour long album, you will have found yourself transported to the ballroom of an enchanted palace (Without), the back alleys of a futuristic dystopian city (Original Sin) and a sultry 70s nightclub (Coral Castles).

A masterful use of instrumentals set the tone and mood of each song, complimenting Kaela Sinclair’s expressive vocals. Each track is unique, and carries an important role in the overall experience. I was amazed at how much depth and diversity was packed into this album.

Special mention to McKenzie Smith, the main partner on Sun & Mirror, which was also recorded at his new studio – Redwood Studios in Denton.

Invaluable to this production is guitarist Joey McClellan. Credits also go to Scott Lee, Evan Smith, and Jesse Chandler who put in a lot of creative musicianship, as well as the people behind the string arrangements, Buffi Jacobs, Daniel Hart, and Fiona Brice.

“I think the album is really about introspection. I think introspection and working through your own psychology is what leads to empathy and compassion. The album title, Sun & Mirror, represents a need for warmth and comfort, but a drive for realness. The album is about wanting to embrace reality but understanding that reality doesn’t always make for the happiest perspective”

– Kaela Sinclair 

You can listen to Sun & Mirror (and then buy it) on her Bandcamp after the release date: http://kaelasinclair.bandcamp.com/


Story Behind The Song – Run by Kaela Sinclair

With equal measures of talent and beauty, we invite Texas based singer-songwriter Kaela Sinclair to talk about her song Run for her soon to be released album, Sun & Mirror


I wrote the song “Run” when I was working on demos for my upcoming album, Sun & Mirror. The process of demoing became a much more involved project once I discovered the joys of engineering and producing. These demos turned into my EP, Bedroom Series. I began working with Logic Pro, a condenser mic, my Nord and Yamaha keyboards, and my acoustic guitar. Having all of these options and learning how to layer tracks and use Logic to create the entire arrangement gave me a lot of freedom in regards to songwriting. It also led way to a wave of musical inspiration.

The need to create permanent and complex art can be satiated with much more ease without the stresses of a budget and timeline. The many, many months I spent recording my upcoming LP (which will be released October 8th) at Redwood Studios in Denton with some of the most talented musicians I know was an incredibly fulfilling and satisfying experience, but there was also something special about spending all that time alone in my apartment recording my EP.



Once I started writing this song it came together very quickly. I remember writing it on a chilly Saturday morning. The lyrics deal with a personal struggle that I was particularly struck by at the time, and one that recurs time and again. I think a lot of artists push away people they love (initially only in their heads) and create a kind of isolation that can be destructive. This song is about that feeling of self-imposed quarantine and the way being so in-your-own-head can affect relationships.

Musically, I wanted to reflect the feeling of strange calm using the open D tuning (major key) mixed in with a more eccentric, almost middle eastern scale on the ends of the choruses and on the bridge. I tend to have the most fun experimenting with vocals. On this track I doubled, tripled and eventually quadrupled the lead vocals, including octave doubles and harmonies. I used panning effects and different EQs for different vocal parts. The hardest part of demoing this song was trying to find the right way to record my acoustic guitar. It’s a relatively cheap guitar, and my apartment is not acoustically treated. Not to mention guitars are notoriously tricky to record. Eventually I found a spot that was close enough, but not perfect. Does anyone really want “perfect” in their favorite music anyway? I’m not sure I do.

“Run” was a song that I didn’t ask myself a lot of questions about. I edit plenty of my songs, but once it was written I decided to just let it be. These first demos felt like a time capsule. I didn’t want to lie to my future self. It’s interesting to look back on a song and try to recall the exact feelings that brought it into existence, but while the music stays the same, the feelings that are conjured while reminiscing are rarely static. As much as we sometimes want to change ourselves, we are each our own variation on a theme.

-Kaela Sinclair

You can find out more about Kaela Sinclair and her work at these links:






Oh poor me
I’m just a lost heart
Oh pity me
I need my comforts

Pretty soon
I’ll be brave
I’ll be traveling through
Every single state

Run boy
You might catch up to me

Oh sad night
Is there an end to you
Time and time again
I have been lost to you

Pretty soon
I”ll be brave
I’ll be running wild
I’ll misbehave

When pretty soon ain’t soon enough
And the rocky graves are flooding
I will find a place with open skies
And begin the fall
I will have to be brave
We cannot be saved

Run boy
You might catch up to me

We cannot be saved