Category Archives: Conversations

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Conversations // Shoegaze with Bloodhounds On My Trail

Firstly, introduce yourselves! 

We are Bloodhounds On My Trail from Melbourne Australia. Born out of the music scene here and hoping to add to it. Johnny has vocal duties along with guitar, Chris on bass, Nik on drums & Chris (aka Donnie) on guitar.

 

In your own words, what is shoegaze? How does it stand apart from other music genres? 

To me it’s going deaf to beautiful music. To a friend of mind it is “It’s good stretching music”. I think that is complementary.. Something to take you away.  It stands out because of the meticulous care given to the sonic sound of the band playing. Listening to it can take you on a journey. A good way to take you mind off of what it is you’re doing. I also think there is this bond with it. Cause it’s perhaps a niche genre, there is an element to it that when you are listening away you are somehow connecting with others who are into it for the same reasons you love it.

 

 

What are some of the different sub-genres of shoegaze? 

Roogaze my friends… Get on that. Coined by a great Melbourne shoegaze band Lowtide, it covers all the shoegaze coming out of Australia at the moment. I could probably just list of some usual suspects like noise rock, space rock etc but I think most bands would like to think that they are a mix of a few things and therefore some kind of their own genre. Some bands are out and out shoegaze, but best ones of recent times are where shoegaze is a element (probably an obvious one) but they blend it with other things well. So in a way each band has is own sub-genre.

 

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What is the Aussie shoegaze scene like? Who are your inspirations?

Fantastic. Really there are too many good bands doing many great things & I reckon we all inspire each other in a good way. Honestly I could list 20 awesome bands and many of them friends but I’m gonna go with the last bands we played with from Melbourne & Sydney shows who are awesome – Parading, Seasloth, Lapse, Sounds Like Sunset.
 

In your opinion, how do you see shoegaze evolving in the future? Or will it always be a throwback to the retro 90s?

I don’t really believe that anything is a throwback to anything. Bands get influenced, bands write songs based on their influences & to me it comes out a little different each time depending on the year, era or bands style & other influences outside of shoegaze. The only real difference is that shoegazers tend to be more upfront of bands they like and have this community not many others have.
I guess maybe sometimes guitarists can get too caught up in replication of sounds rather than trying to go in a new direction which can draw the “they sound like X or Y or Z” criticism but if you have a deeper understanding I think there are different subtleties with mostly anyone. Still though like any music, there cant just be a “sound”. Good songs still need to be written & constructed well. Here in lies the difference between a good shoegaze band and an average one. 

 

-Chris Donnie, Bloodhounds On My Trail

Amesoeurs

Conversations // Post Black Metal with Aurélien Di Sanzo

I’ve recently stumbled upon some really great music by The Last Days, a post black metal band. I was somewhat surprised/disappointed at the lack of information on this particular genre on the internet. So I decided to investigate further. That was when I found Aurélien Di Sanzo, administrator of several post black metal band pages on Facebook. Here on IndieVerse, he provides some really great insights into this often misunderstood genre.

I’ve chosen one of the more sedate tracks for you to listen to while you read this article. Just hit play on the music widget below

-Mark

Post Black Metal enthusiast

 

First of all, could you introduce yourself to our readers?

 

I’m Aurélien from France. I’m the guy who created the first post black metal community on the Internet (http://postblackmetal.forumsactifs.com ). Years ago, I’ve also created some fan pages dedicated to the first post black metal bands : Shyy, The Last Days, Onryō and Sun Devoured Earth. I’ve also interviewed a lot of bands (Alcest, Les Discrets, Falloch, The Last Days). At the very beginning, it was a really underground style and I did my best to promote it over the internet. I guess I somehow dedicated few years of my life to post black metal, I’ve been in touch with an incredibly amount of post black metal bands. Nowadays, I’m not the only one, as post black metal almost became a trend. It’s not so original anymore to say that you’re playing in a post black metal band and, as a matter of fact, a lot of bands are copying the others.

 

 

How would you define Post Black Metal? What sets it apart from other genres? And what do you enjoy about it?

 

That’s a complicated and tricky question. I will divide my answer in different paragraphs.

Historically, you have to know that the “post black metal” tag was used by a journalist to qualify the first Amesoeurs record, which dated back to 2009. Almost every one agreed to say that post black metal emerged from France which is not entirely true. To me, the Australian band Austere was playing a kind of post black metal few years before. Same idea with Agalloch from the US.

Musically, it’s a mix between black metal and post rock. Some idiots said that there also some shoegaze elements but it’s not really true in my opinion. From this, came all the stupid nicknames such as “blackgaze” and “shoegaze black metal”. I’ve even heard “romantic black metal” once, which I found pretty funny afterall.

Conceptually, it’s mainly about what I like to call “urban disease”. It’s a Baudelarian concept, taken from “Les petits poèmes en Prose” (1869). Lyrics are usually about empty streets at night, blurry neons, black and white perception, the feeling of being lost in big cities, the isolation of the self in the night, the fact that the city has not the same face during the day and the night. About this, Amesoeurs was definitely the first one to bring this urban image both in its lyrics and images. Bands like Lantlôs, Heretoir, The Last Days followed months later, even if they were already existing. There are lot of post black metal bands in Germany nowadays!

Its different simply by the fact that musically and lyrically, it deals with opposing feelings: black metal and hatred, slightly misanthropic atmospheres mixed with the beauty of post rock, the poetic and quiet feelings that you can feel at night. What I like the most is that there is a a complete coherence in post black metal: you have images which illustrate the lyrics and the music. It’s so artistic. Concerning this artistic approach, I want to add that it’s obviously Alcest who brought this to the table, releasing beautiful artbooks with very high quality images, conceptual lyrics and almost esoteric music. Even if Alcest is not a post black metal to me, we can definitely say that without Neige, we would have never heard post black metal or, at least, not in the same way.

 

 

Name some of your favourite bands in this genre

 

Lantlôs, Heretoir and Infinitas from Germany. Amesoeurs, The Great Old Ones and Je from France. Austere, Germ, Grey Waters (Tim is a true genius!) from Australia. The Last Days from Mexico. Apocynthion from Spain. Hypomanie from the Netherlands. Lately… I want to say Deafheaven from United States, they’re incredible.